The second studio album was created five years after the debut of Forest animals and after fourteen years of existence the band. It is the same from the beginning: the base form trio Jura Hradil (Tata Bojs, exChorchestr, formica, Punch in rolls), Miloš Rejsek (exSwordfishtrombones, Voodooyoudo!) And Martin Čech (exChorchestr, exFruFru, Paul Fajta projects). This trio freely adds trumpeter Marek Steyer.
Album originated three years and the name of Movable Feasts - A Moveable Feast Miloš Rejsek explains: "For me, the board intimate, texts, and the roots of each of us, lived on their own and for themselves, in various meetings, intersections, together, yourself , with Dusan, at home, in the studio, in concert. Therefore, even the name. Movable Feasts are moveable feasts. We do not play much, it's a feast for us. We know that those songs, like us, somewhere, sometime will just not clear exactly where and when. "
Search for Forest animals the ark is as hard as looking for a similar band in the country. Musicians draw on the indie scene all styles of electronica, jazz, drum'n'bass and psychedelia. Energetic music, where singing, noise surface loops of live instruments, trumpet and drums stand out against the keys as equal partners - the words or melodies have the same weight as a music area.
In addition to the woodland creatures can hear the Movable Feasts poet Honza Těsnohlídka that interprets your own text in the song is yet to lose. In the song Kavka Airlines plays various saxophones and flutes Filip Nebřenský as a counterpart to the male energy is hosted on the album singer Christina Krutská. Album co-produced and sound-shaped Dušan Neuwerth.
The group prepared a special concert for the album's release on Tuesday, April 22, 2014 at club and Pilot on Wednesday, April 23, 2014 in Brno Cabinet of the Muses.
Interview with George Hradil (J) and Milos Rejsek (M) of forest animals
First Forest animals on their debut album invited to record some songs Horňácká producing music for Petra balls. How is it with Movable Feasts?
(M) The board except four of us can hear the poet Honza Těsnohlídka in the song is yet to lose in Kavka Airlines plays various saxophones and flutes Filip Nebřenský. Christina Krutská in singing a few songs. And just like last time she co-produced and sound-shaped Dušan Neuwerth. Track and Jan Těsnohlídka to me on a plate crucial polarizing, it expands somewhere in the past, it's retro sound, but the words are, even casual and hypnotic, poignant and brutally precise, here and now.
(J) Honza Těsnohlídka us together by chance at the engagement of forest animals with formica dot in the TV show Friday night, where John was invited as a guest formica. When we smoke in the hallway, so I asked him if he wanted to do one of our songs improvise a poem of his. And so the song is yet to lose.
Second first album was counted as a crossover between jazz, psychedelia and acoustic drum'n'bass. It's the new album like?
(M) We did not attempt even now some recording style to define, but rather to maintain the intense feeling that we had at the homely recording demos. They arose gradually over the last three years, although some of the songs we played long ago. Until the end of last year, we have started to collect things on the plate, then most of the music we recorded in a big studio with big sound. It was perhaps the single concept differing from the last album, try to get better, dospělejšímu sound. But it is still our music, for better or worse, we tried to keep the intensity with which the songs we play live together. Stylish, I do not know. I'd stay there, it's nu-jazz, indie board, if we use a mold. Also published by Indies :)
How much is the third album of instrumentals? They get more space or texts still have the same weight as a music area?
(M) No instrumentals. This album is more song-like. Each has a voice, but sometimes used as part arranged by instrument, rather than a continuous narrative, rather such overtones in the songs which come and go, equally as other sounds.
4th Horňácko, Turzovka and other strong sources of inspiration for the first album. How about the inspiration for the new album?
(M) For me, the board intimate lyrics, and the roots of each of us, lived on their own and for themselves, in various meetings, intersections, together, alone, with Dusan, at home, in the studio, in concert. Therefore, the name, Movable Feasts are movable holidays. We do not play much, it's a feast for us. We know that those songs, like us, are just not clear exactly where and when. Is there something like a pagan, is not related just to our will, it's all dependent on the universe of other bodies, no matter how bloated it sounds. In relation to your own music experience permanent feelings of uncontrollability, peristalsis action. A holidays in all the moments of recollection and virválu, meditating with, or all behave like fools. We invite you to take as well as people who will listen to the album, or come to the concert. It's a meeting or reading such a journey, and try to have most of our holidays to find my own.
(J) I see this album as a different type than the first. It is much more intimate, yet open. Such internal ethno. This means that the abstract experiencing folk music of Central and South Moravia. The first board we played with Horňácká music Petra balls and ta very much oriented character songs. Now we did not so clearly uses the symbolism of folk music. They are movable feasts, in terms of the calendar, it means holidays that are constantly shifting. When I told my grandfather that every day is a feast, so he said - yeah, everyone. So our songs are not anchored in time, but it's such holidays that we have created in our disputes meetings.
Source: tz